One factor is definite: this bag is well-liked amongst Africans. Some discuss with it as a “Ghana Should Go” bag, whereas others discuss with it as a “Mashangaan bag,” and others who disagree with the primary two discuss with it as a “Khonz’ekhaya. In Kenya, the bag is often often known as Osuofia Bag ”
Sturdy plastic baggage, or ukhonz’ekhanya as they’re recognized in Zulu, are regularly utilized by Africans who journey nice distances. When returning to their homelands after spending time within the metropolis, the place they work to help their households, they regularly use this bag to move heavy baggage.
The exhibition “Anyi N’aga – We Are Going” was curated by Nigerian multidisciplinary artist Chioma Obiegbu in partnership with bnnà bomà. She offers extra details about the bag that’s in style on our continent.
“In West Africa, the blue and white or often crimson, black, and white checkered baggage often known as Ghana Should Go earned not solely attraction but in addition a connection to migration in the course of the Nineteen Eighties in Nigeria when hundreds of thousands of undocumented Ghanaians had been evicted from that nation.
The luggage bought their moniker as a result of lots of them used them to bundle and ship their possessions again to Ghana, in response to Obiegbu.
Obiegbu makes use of trend to convey the tales of West African immigration whereas collaborating with a big group of sensible African creatives.
“The motion of people throughout close by boundaries and distant continents has just lately been a reoccurring situation, particularly with the arrival of globalization.
“Many individuals migrate in the hunt for higher financial alternatives, employment, academic alternatives, and marriage alternatives—bringing their possessions, cultures, and beliefs with them,” she mentioned.
“Anyi N’aga – We Are Going explores migration and heritage as they relate to the aforementioned factors via the lens of trend, whereas artistically drawing on the symbolism of the Ghana Should Go baggage as they’ve been related to journey and migration.”
South African designer Wanda Lephoto makes use of the baggage’ prints in a few of his works, whereas Obiegbu makes use of the precise baggage to create trend objects.
He included the Ghana Should Go prints, for example, in his “PEOPLE” Spring/Summer time ’24 assortment. He included the Ghana Should Go prints in a line he named “Me Fie” for this assortment.
Within the Ghanaian language of Akan, “Me Fie” means “My Place of Origin. The late Virgil Abloh’s 3% design philosophy, which held that you just would possibly create one thing new by altering a process, a product, or a perspective by 3%, was the inspiration for the gathering, in response to Lephoto.
Content material courtesy of IOL & NFH
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